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K-Pop Music and Transnationalism

Abstract
This chapter provides a key themes and approaches and explains the state of the highly interdisciplinary research on Korean Pop (K-Pop), which can further the of music in Korea. It highlights the significance of music in understanding Korean culture and society. K-Pop’s transnational makeup has become the genre’s most salient feature. Shaped and reflected by multiple practices and textures, K-Pop exhibits high eclecticism by merging a plethora of techniques, styles, and genres on linguistic, aural, visual, and performative levels. The representation of female identities in K-Pop is standardized within a similarly narrow continuum of beauty ideals, of which the innocent-yet-cute “girl-next-door” and the sexually enticing imageries figure prominently at the respective ends. The playfulness and re-fashioning of gender roles in K-Pop offer great visual pleasure to audiences and have opened up a discursive space in which traditional roles of masculinity and femininity can be critically reflected, reoriented, and transformed in ways that may allow a more open discussion of sexuality.
Publication Type
BookPart
Author
Fuhr, Michael 
Editor
Kim, Youna
Date Issued
2020
Faculty
Universitäre Einrichtungen 
Institute / Institution
Center for World Music 
Published in
Routledge Handbook of Korean Culture and Society
Publisher
Routledge
Publisher Place
London
Page Start
283
Page End
296
ISBN
978-0-367-58139-8
HilPub short link
https://hilpub.uni-hildesheim.de/handle/ubhi/13684
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